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It is thus an examination of criticality and of dialogues about art in Thai context, and an experiment on overarching concept to open more entrances for thinking and critical inquires about art. For this project, this phrase is employed as its title to imply something obscure as well as to seek people who are concerned about this issue. The phrase “To Whom It May Concern” is generally used by a letter writer to address people whom are not exactly known or clearly identified.
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These are initial inquiries for To Whom It May Concern project, an extensive part of the research project about the practices of art criticism by Judha Su who started to realise the missing or trivialised method in the artistic process and in the discourse of the development of art as a whole. What are values and gestures of writing about art in the realm of artistic production and exhibition making? To what extent thinking and writing become a driving force for the production of art? Is it probable that the act of writing is transferred into responsibilities and questions leading to no tangible goal? How (much) you value and acknowledge this intangible work? This exhibition is the gallery’s second non-commercial show. Together with these individuals, audiences are invited to examine and partake in a process of transferring and forwarding, of exchanging dialogues, of learning to embrace limitations and failures. Selected artists were asked to submit a response to this proposal, resulting in an exhibition that features both Thai artists and international art & cultural practitioners.
![to whom it may concern to whom it may concern](https://cdn.slidesharecdn.com/ss_thumbnails/towhomitmayconcern-13333944611268-phpapp01-120402142224-phpapp01-thumbnail-4.jpg)
Su, a writer and curator, proposed this collaborative exhibition as a critical examination of and response to the ongoing dialogues about art within Thailand. “To Whom It May Concern” is an inquiry, an initiation of a dialogue with someone who we do not exactly know, and for this show it is the dictum followed by Judha Su in its curation and formation.